150 bars at 190 BPM -- fast, and 3:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 56, 58 and 64, and 2 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 34, 53, 55, 59, 61, 63 and 11 more.
6 more fills are written out on the fills page.
150 bars across 12 sections: 65 keep time, 17 are fills, 27 are stops and 31 are silent. The longest unbroken stretch of time is bars 18-31.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
150 bars, about 3:09 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 34, 53, 55, 59, 61, 63 and 11 more.