156 bars of 4/4 at 130 BPM, about 4:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 122-137 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 34, 37, 67, 71, 75, 79 and 3 more.
3 more fills are written out on the fills page.
156 bars across 15 sections: 110 keep time, 9 are fills, 6 are stops and 17 are silent. The longest unbroken stretch of time is bars 122-137.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
156 bars, about 4:57 at the written tempo. The course breaks it into 54 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 34, 37, 67, 71, 75, 79 and 3 more.