147 bars of 4/4 at a walking 95 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 69-80 and 115-126 -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 10, 12, 32, 36, 40, 43 and 16 more.
9 more fills are written out on the fills page.
147 bars across 21 sections: 79 keep time, 22 are fills, 10 are stops and 12 are silent. The longest unbroken stretch of time is bars 70-80.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
147 bars, about 5:51 at the written tempo. The course breaks it into 57 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 10, 12, 32, 36, 40, 43 and 16 more.