59 bars of 4/4 at a walking 82 BPM, 2:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20, 22-23 and 36, and 2 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 13 times: bars 4, 5, 6, 17, 18, 19 and 7 more.
59 bars across 11 sections: 32 keep time, 13 are fills and 3 are silent. The longest unbroken stretch of time is bars 43-50.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
59 bars, about 2:51 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 4, 5, 6, 17, 18, 19 and 7 more.