148 bars at 165 BPM -- fast, and 3:35 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 21 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 36 times: bars 8, 12, 14, 18, 20, 22 and 30 more.
15 more fills are written out on the fills page.
148 bars across 16 sections: 63 keep time, 36 are fills, 21 are stops and 6 are silent. The longest unbroken stretch of time is bars 69-74.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
148 bars, about 3:35 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 36 times: bars 8, 12, 14, 18, 20, 22 and 30 more.