70 bars of 4/4 at a walking 87 BPM, 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-9, 22-23 and 39-40 -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 1, 18, 19, 26, 30, 34 and 17 more.
5 more fills are written out on the fills page.
70 bars across 4 sections: 40 keep time, 23 are fills and 3 are stops. The longest unbroken stretch of time is bars 2-9.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
70 bars, about 3:13 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 1, 18, 19, 26, 30, 34 and 17 more.