200 bars of 4/4 at 120 BPM, about 6:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-11, 13-15 and 59-61, and 9 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 31 times: bars 12, 24, 40, 41, 49, 57 and 25 more.
10 more fills are written out on the fills page.
200 bars across 14 sections: 146 keep time, 31 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 191-199.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
200 bars, about 6:42 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 31 times: bars 12, 24, 40, 41, 49, 57 and 25 more.