158 bars of 6/4 -- not four -- at 120 BPM, 7:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 38-40, and 5 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 39 times: bars 3, 4, 8, 12, 16, 17 and 33 more.
7 more fills are written out on the fills page.
158 bars across 12 sections: 42 keep time, 39 are fills, 15 are stops and 54 are silent. The longest unbroken stretch of time is bars 76-85.
120 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
158 bars, about 7:54 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 39 times: bars 3, 4, 8, 12, 16, 17 and 33 more.