165 bars of 4/4 at a walking 103 BPM, 6:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 143-165 -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 12, 13, 19, 38, 39, 40 and 23 more.
6 more fills are written out on the fills page.
165 bars across 20 sections: 84 keep time, 29 are fills, 31 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-11.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 9 out of 100; the rest of the number is everything around it.
165 bars, about 6:22 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 12, 13, 19, 38, 39, 40 and 23 more.