122 bars of 4/4 at 142 BPM, about 3:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-34 -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 66, 90 and 98.
122 bars across 7 sections: 88 keep time, 3 are fills, 6 are stops and 23 are silent. The longest unbroken stretch of time is bars 1-34.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 57 out of 100; the rest of the number is everything around it.
122 bars, about 3:26 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 66, 90 and 98.