137 bars at 164 BPM -- fast, and 3:20 of it without a break -- on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-24, 53-55 and 57-59 -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 31 times: bars 16, 32, 36, 38, 40, 41 and 25 more.
8 more fills are written out on the fills page.
137 bars across 18 sections: 62 keep time, 31 are fills, 12 are stops and 21 are silent. The longest unbroken stretch of time is bars 1-7.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
137 bars, about 3:20 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 16, 32, 36, 38, 40, 41 and 25 more.