124 bars at 175 BPM -- fast, and 2:50 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 5 and 27-34, and 8 more places -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 15, 16, 23, 24, 42, 96 and 4 more.
1 more fill is written out on the fills page.
124 bars across 10 sections: 92 keep time, 10 are fills and 10 are stops. The longest unbroken stretch of time is bars 57-88.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
124 bars, about 2:50 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 15, 16, 23, 24, 42, 96 and 4 more.