150 bars at 166 BPM -- fast, and 3:37 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-15 and 18-20, and 9 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 16 times: bars 39, 40, 41, 49, 73, 74 and 10 more.
1 more fill is written out on the fills page.
150 bars across 20 sections: 108 keep time, 16 are fills and 7 are silent. The longest unbroken stretch of time is bars 102-119.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
150 bars, about 3:37 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 39, 40, 41, 49, 73, 74 and 10 more.