139 bars, 7:50, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 23-25, 27-29 and 33-35, and 5 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 24 times: bars 21, 22, 32, 42, 43, 44 and 18 more.
6 more fills are written out on the fills page.
139 bars across 13 sections: 82 keep time, 24 are fills, 4 are stops and 15 are silent. The longest unbroken stretch of time is bars 75-83.
71 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
139 bars, about 7:50 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 21, 22, 32, 42, 43, 44 and 18 more.