102 bars of 4/4 at 147 BPM, about 2:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 66, 68 and 70, and 6 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 23 times: bars 45, 47, 55, 57, 58, 59 and 17 more.
6 more fills are written out on the fills page.
102 bars across 9 sections: 29 keep time, 23 are fills, 13 are stops and 32 are silent. The longest unbroken stretch of time is bars 17-24.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
102 bars, about 2:45 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 45, 47, 55, 57, 58, 59 and 17 more.