271 bars of 4/4 at 120 BPM, about 9:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 91-95, 99-103 and 107-111, and 3 more places -- 8.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 50 times: bars 27, 28, 37, 45, 55, 63 and 44 more.
14 more fills are written out on the fills page.
271 bars across 24 sections: 126 keep time, 50 are fills, 17 are stops and 56 are silent. The longest unbroken stretch of time is bars 204-218.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
271 bars, about 9:02 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 50 times: bars 27, 28, 37, 45, 55, 63 and 44 more.