150 bars of 4/4 at 110 BPM, about 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-51, 60-62 and 72-75, and 1 more place -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 16, 17, 18, 19, 27, 32 and 8 more.
1 more fill is written out on the fills page.
150 bars across 22 sections: 61 keep time, 14 are fills, 10 are stops and 38 are silent. The longest unbroken stretch of time is bars 42-51.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
150 bars, about 5:53 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 16, 17, 18, 19, 27, 32 and 8 more.