143 bars of 4/4 at a walking 82 BPM, 6:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 85-94 and 105-110 -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 32, 40, 48, 56, 66, 68 and 4 more.
1 more fill is written out on the fills page.
143 bars across 15 sections: 94 keep time, 10 are fills, 4 are stops and 20 are silent. The longest unbroken stretch of time is bars 119-132.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
143 bars, about 6:59 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 32, 40, 48, 56, 66, 68 and 4 more.