152 bars at 200 BPM -- fast, and 3:07 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16-18, 20-22 and 32-34, and 4 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 7, 19, 23, 27, 35, 59 and 8 more.
2 more fills are written out on the fills page.
152 bars across 20 sections: 106 keep time, 14 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 49-55.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
152 bars, about 3:07 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 7, 19, 23, 27, 35, 59 and 8 more.