106 bars, 5:51, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 12-23, 30-41 and 89-100 -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 2, 4, 24, 25, 26, 27 and 11 more.
6 more fills are written out on the fills page.
106 bars across 9 sections: 78 keep time, 17 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 61-75.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
106 bars, about 5:51 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 2, 4, 24, 25, 26, 27 and 11 more.