119 bars of 6/4 -- not four -- at 130 BPM, 5:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 28 and 30-31, and 3 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 8, 25, 26, 27, 29, 32 and 12 more.
7 more fills are written out on the fills page.
119 bars across 12 sections: 46 keep time, 18 are fills, 1 is a stop and 38 are silent. The longest unbroken stretch of time is bars 1-7.
130 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
119 bars, about 5:27 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 8, 25, 26, 27, 29, 32 and 12 more.