166 bars of 4/4 at a walking 104 BPM, 6:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-13, 18-24 and 26-28, and 6 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 9, 17, 25, 32, 33, 43 and 13 more.
6 more fills are written out on the fills page.
166 bars across 16 sections: 106 keep time, 19 are fills and 31 are stops. The longest unbroken stretch of time is bars 54-84.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
166 bars, about 6:21 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 9, 17, 25, 32, 33, 43 and 13 more.