155 bars of 4/4 at 154 BPM, about 4:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 14 and 18, and 37 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 8, 9, 12, 13, 16, 17 and 10 more.
3 more fills are written out on the fills page.
155 bars across 15 sections: 91 keep time, 16 are fills, 22 are stops and 8 are silent. The longest unbroken stretch of time is bars 139-154.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
155 bars, about 4:02 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 8, 9, 12, 13, 16, 17 and 10 more.