129 bars of 4/4 at 118 BPM, about 4:22 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28, 32 and 36, and 17 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
129 bars across 11 sections: 111 keep time, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 97-129.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
95 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
129 bars, about 4:22 at the written tempo. The course breaks it into 33 exercises over 19 sittings, about 21 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.