121 bars of 4/4 at 125 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 58-60, 62-63 and 66-68, and 6 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 23, 24, 26, 27, 28, 32 and 16 more.
9 more fills are written out on the fills page.
121 bars across 10 sections: 75 keep time, 22 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 34-47.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
121 bars, about 3:52 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 23, 24, 26, 27, 28, 32 and 16 more.