146 bars of 4/4 at 154 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-38, 41 and 45-46, and 9 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 29 times: bars 19, 21, 25, 27, 31, 33 and 23 more.
8 more fills are written out on the fills page.
146 bars across 17 sections: 83 keep time, 29 are fills, 4 are stops and 19 are silent. The longest unbroken stretch of time is bars 98-111.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
146 bars, about 3:48 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 29 times: bars 19, 21, 25, 27, 31, 33 and 23 more.