94 bars of 4/4 at 118 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-14, 23-25 and 27-29, and 2 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 22 times: bars 8, 15, 22, 30, 32, 33 and 16 more.
7 more fills are written out on the fills page.
94 bars across 12 sections: 43 keep time, 22 are fills, 3 are stops and 21 are silent. The longest unbroken stretch of time is bars 23-29.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
94 bars, about 3:20 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 8, 15, 22, 30, 32, 33 and 16 more.