171 bars of 4/4 at 141 BPM, about 4:51 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 43-49, 51-57 and 59-65, and 5 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 1, 42, 50, 58, 91, 99 and 6 more.
171 bars across 13 sections: 140 keep time and 12 are fills. The longest unbroken stretch of time is bars 2-17.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
171 bars, about 4:51 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 1, 42, 50, 58, 91, 99 and 6 more.