168 bars of 4/4 at 130 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-32, 152-157 and 160-166 -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 54 times: bars 17, 18, 19, 20, 22, 23 and 48 more.
15 more fills are written out on the fills page.
168 bars across 12 sections: 77 keep time, 54 are fills, 6 are stops and 17 are silent. The longest unbroken stretch of time is bars 160-167.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
168 bars, about 5:10 at the written tempo. The course breaks it into 52 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 54 times: bars 17, 18, 19, 20, 22, 23 and 48 more.