112 bars of 4/4 at 110 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 14 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 25 times: bars 25, 29, 33, 37, 45, 47 and 19 more.
13 more fills are written out on the fills page.
112 bars across 15 sections: 67 keep time, 25 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-9.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
112 bars, about 4:04 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 25 times: bars 25, 29, 33, 37, 45, 47 and 19 more.