153 bars of 4/4 at 150 BPM, about 4:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 11 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 34 times: bars 4, 6, 10, 14, 20, 24 and 28 more.
12 more fills are written out on the fills page.
153 bars across 12 sections: 48 keep time, 35 are fills, 57 are stops and 1 is silent. The longest unbroken stretch of time is bars 29-36.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
153 bars, about 4:05 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 34 times: bars 4, 6, 10, 14, 20, 24 and 28 more.