70 bars of 4/4 at a walking 94 BPM, 2:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6 and 20, and 5 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 9 times: bars 5, 19, 21, 23, 45, 53 and 3 more.
2 more fills are written out on the fills page.
70 bars across 12 sections: 44 keep time, 9 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 24-32.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
70 bars, about 2:57 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 5, 19, 21, 23, 45, 53 and 3 more.