81 bars of 4/4 at 120 BPM, about 2:42 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 4 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 4, 7, 8, 9, 10, 11 and 8 more.
5 more fills are written out on the fills page.
81 bars across 8 sections: 40 keep time, 14 are fills and 18 are stops. The longest unbroken stretch of time is bars 58-65.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
81 bars, about 2:42 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 4, 7, 8, 9, 10, 11 and 8 more.