382 bars of 4/4 at 130 BPM, about 11:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-6, 8 and 10-12 -- 3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35 fills to learn, played 170 times: bars 7, 9, 13, 17, 18, 19 and 164 more.
31 more fills are written out on the fills page.
382 bars across 26 sections: 116 keep time, 170 are fills, 24 are stops and 48 are silent. The longest unbroken stretch of time is bars 351-379.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
382 bars, about 11:51 at the written tempo. The course breaks it into 106 exercises over 34 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
35 fills to learn, played 170 times: bars 7, 9, 13, 17, 18, 19 and 164 more.