74 bars of 4/4 at a walking 95 BPM, 3:03 of playing, on crash, ride, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-26, 28-30 and 32, and 1 more place -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 50, 58, 66, 70 and 74.
74 bars across 8 sections: 54 keep time, 5 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 17-35.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
74 bars, about 3:03 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 23 minutes each.
crash, ride, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 50, 58, 66, 70 and 74.