88 bars of 4/4 at a walking 79 BPM, 4:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-18, 39-44 and 47-50, and 2 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 12, 38, 46, 60, 64, 66 and 13 more.
6 more fills are written out on the fills page.
88 bars across 9 sections: 56 keep time, 19 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 20-37.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
88 bars, about 4:27 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 12, 38, 46, 60, 64, 66 and 13 more.