169 bars of 3/4 -- not four -- at 64 BPM, 7:55 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 7-13, 39-47 and 55-61, and 4 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 25 times: bars 5, 6, 14, 48, 53, 54 and 19 more.
10 more fills are written out on the fills page.
169 bars across 15 sections: 116 keep time, 25 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 56-78.
64 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
169 bars, about 7:55 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 25 times: bars 5, 6, 14, 48, 53, 54 and 19 more.