96 bars of 4/4 at a walking 87 BPM, 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 21 and 31-33, and 7 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 45, 53, 57, 67, 75, 76 and 4 more.
3 more fills are written out on the fills page.
96 bars across 9 sections: 66 keep time, 10 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 11-40.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
96 bars, about 4:25 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 45, 53, 57, 67, 75, 76 and 4 more.