110 bars of 4/4 at 115 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-34 and 91-94 -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 11 times: bars 36, 37, 38, 57, 61, 67 and 5 more.
5 more fills are written out on the fills page.
110 bars across 16 sections: 64 keep time, 11 are fills, 7 are stops and 24 are silent. The longest unbroken stretch of time is bars 14-30.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
110 bars, about 3:48 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 36, 37, 38, 57, 61, 67 and 5 more.