127 bars of 4/4 at a walking 95 BPM, 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54-58, 60-61 and 65-67, and 11 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 2, 3, 4, 10, 12, 13 and 21 more.
10 more fills are written out on the fills page.
127 bars across 19 sections: 62 keep time, 27 are fills, 17 are stops and 15 are silent. The longest unbroken stretch of time is bars 103-110.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
127 bars, about 5:06 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 2, 3, 4, 10, 12, 13 and 21 more.