166 bars of 4/4 at 120 BPM, about 6:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-18, 20-22 and 89-92, and 1 more place -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 5, 9, 80, 81, 82, 86 and 4 more.
2 more fills are written out on the fills page.
166 bars across 14 sections: 58 keep time, 10 are fills, 12 are stops and 77 are silent. The longest unbroken stretch of time is bars 16-23.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
166 bars, about 6:10 at the written tempo. The course breaks it into 42 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 5, 9, 80, 81, 82, 86 and 4 more.