125 bars at 180 BPM -- fast, and 2:47 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 38-44 and 72-75, and 1 more place -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 8, 16, 24, 28, 35, 36 and 7 more.
4 more fills are written out on the fills page.
125 bars across 12 sections: 56 keep time, 13 are fills, 17 are stops and 31 are silent. The longest unbroken stretch of time is bars 9-15.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
125 bars, about 2:47 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 8, 16, 24, 28, 35, 36 and 7 more.