136 bars of 4/4 at a walking 97 BPM, 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 11 and 14-15, and 6 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 26 times: bars 13, 17, 22, 24, 25, 26 and 20 more.
10 more fills are written out on the fills page.
136 bars across 11 sections: 51 keep time, 27 are fills, 34 are stops and 18 are silent. The longest unbroken stretch of time is bars 87-98.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
136 bars, about 5:24 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 13, 17, 22, 24, 25, 26 and 20 more.