131 bars of 4/4 at 138 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30, 80 and 92, and 5 more places -- 6.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 69 times: bars 1, 2, 4, 5, 6, 7 and 63 more.
20 more fills are written out on the fills page.
131 bars across 12 sections: 36 keep time, 69 are fills, 10 are stops and 6 are silent. The longest unbroken stretch of time is bars 37-40.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
131 bars, about 3:48 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 69 times: bars 1, 2, 4, 5, 6, 7 and 63 more.