298 bars, 20:32, at 58 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 23-33, 35-53 and 55-82, and 6 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 3 times: bars 34, 54 and 249.
298 bars across 17 sections: 252 keep time, 3 are fills, 3 are stops and 25 are silent. The longest unbroken stretch of time is bars 98-164.
58 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
50 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 33 out of 100; the rest of the number is everything around it.
298 bars, about 20:32 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 34, 54 and 249.