199 bars of 4/4 at 140 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 13 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 27 times: bars 18, 34, 50, 66, 82, 92 and 21 more.
9 more fills are written out on the fills page.
199 bars across 7 sections: 151 keep time, 30 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-17.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
199 bars, about 5:41 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 18, 34, 50, 66, 82, 92 and 21 more.