145 bars, 8:03, at 72 BPM: slow enough that every note is exposed. Crash, ride, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 66-86, 88 and 90, and 1 more place -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 99, 143 and 145.
145 bars across 7 sections: 109 keep time, 3 are fills, 22 are stops and 7 are silent. The longest unbroken stretch of time is bars 32-64.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
145 bars, about 8:03 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 27 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 99, 143 and 145.