461 bars, 24:00, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 203-204, 207 and 209-211, and 20 more places -- 7.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44 fills to learn, played 142 times: bars 5, 22, 30, 47, 48, 49 and 136 more.
41 more fills are written out on the fills page.
461 bars across 38 sections: 220 keep time, 142 are fills, 46 are stops and 18 are silent. The longest unbroken stretch of time is bars 137-148.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
65 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 51 out of 100; the rest of the number is everything around it.
461 bars, about 24:00 at the written tempo. The course breaks it into 148 exercises over 44 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
44 fills to learn, played 142 times: bars 5, 22, 30, 47, 48, 49 and 136 more.