116 bars of 4/4 at a walking 84 BPM, 5:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 17-19 and 76-78, and 3 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 6, 8, 10, 11, 12, 14 and 10 more.
4 more fills are written out on the fills page.
116 bars across 11 sections: 43 keep time, 16 are fills, 13 are stops and 37 are silent. The longest unbroken stretch of time is bars 54-60.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 28 out of 100; the rest of the number is everything around it.
116 bars, about 5:31 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 6, 8, 10, 11, 12, 14 and 10 more.