68 bars, 4:11, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 5-8, 23-26 and 40-42, and 2 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 31, 47, 51, 55, 56, 57 and 7 more.
1 more fill is written out on the fills page.
68 bars across 9 sections: 23 keep time, 13 are fills, 3 are stops and 23 are silent. The longest unbroken stretch of time is bars 5-9.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
68 bars, about 4:11 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 31, 47, 51, 55, 56, 57 and 7 more.